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Additional resources for The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond
Sasha Sokolov, Palisandriia (Ann Arbor, Mich. , 1985). For discussions of the unconventional, see Olga Matich, “Palisandriia: Dissidentskii mif i ego razvenchanie,” Sintaksis, no. 15 (1986): 86–102; I. S. “Nepoznavaemyi sub”ekt,” Beseda, no. 6 (1987): 127–43; A. Zholkovskii, “Vliublennye nartsissy o vremeni i o sebe,” Beseda, no. 6 (1987): 144–77. 31. The hero’s identify conjures up quite a lot of institutions: the author’s identify Aleksandr; Alexandria and its eclecticism (an allusion that's additional bolstered during the shape Polysandria); and the Russian notice for rosewood (palisandr), a logo of the aristocratic culture. 32. Cf. B. Groys, “Im Banne der Supermachte: Die Künstler in Moskau und New York,” Durch, no. 2 (Graz, 1987), pp. 55–63. 33. Jacques Derrida, D’un ton apocalyptique adoptie naguere en philosophie (Paris, 1983), pp. 84–85. 34. “Eric Bulatov and Ilya Kabakov in dialog with Claudia Jolles and Victor Misiano,” Flash artwork, no. 137 (November-December 1987): 82–83. bankruptcy 4 DESIGNERS OF THE subconscious AND THEIR viewers 1. Roland Barthes, Mythologies, trans. Annette Lavers (New York, 1987), p. 142. 2. Ibid. , p. 146. three. Ibid. , p. 147. four. Ibid. , pp. 147–48. five. Frederic Jameson, The Political subconscious (Ithaca, N. Y. , 1981), p. 285. 6. Gilles Deleuze and Felix Guattari, The “Anti-Oedipus” (New York, 1977), p. 109.