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By Kimon Nicolaides

A chain of workouts designed to aid the artwork pupil to increase his personal creativity, instead of imitate that of others.

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Simply within the nude poses you think about A Ex. Hdt Hour Hal' B C I) E Ex. nine and 29: Ex. Z and 29: Ex. P and 20: Ex, ! 2 nod 118: (95 drawings) (Q5 drawings) (P5 drawings) (115 drawings) Ex. 7 and no: Ex. thirteen finish e9: Modelled Ex. sixteen and ninety nine: Q and 29: Gestule Mqdelkd Drawing I, Lithograph (one) Gesture Gestu~ Gestu~ Gcdture (W drawings) Ex. 1s wd Qk Ex,Qs snd QD: Eight-Angle M. $fll+ Ten-Minute shape S t u d i e Drawing in Ink lone) Drawlng! n Water CoIor tmel research Ionel (three) Ex. eight and 29: reminiscence (15 drawings) E x . D and forty: relocating motion (5 drawings) E x . eight and ninety nine: area nour reminiscence Ex, lo and PO: Descriptive Porn (16 drawings) (6 drawings) Ex. Q0: Gesture d the Fe+uma Qurvter Hour leisure relaxation Ileat leisure leisure Ex,9 and W: Ex,Q and En: Ex. and eight: Gesture (Pd drawings) (95 drawinpa) (adrawings) Halt Hour One 'Our Ex. 7 and PO: Modelled Drawing m Lithograph lone) Gesture I Ex. 1. nine and ninety nine: Mdelled Drawing in Ink (one) * Gesture Ex. Q and as: Gesture IPS drawings) Ex. sixteen and a pair of eight Mddled Drawing in Wa! w colour (one draw~ng) Bemember the day-by-day Compwition (Ex. 14 or SO) each day. (15 drawings) Ex. P and PO: Gestu~ (P3 drawloga) E x . 19: the pinnacle in any Medium (one drswlng) N d i d Ylrseum, Nu*: P m m p h via crnrrtcspr ojDsprlwssl! qI Archaedooy. Bryn M a w C d l q s STREETMUSICIANS, A MMAICBY DIOSKOURIDE~ evaluate Exerehe8 28 a d ninety nine. muscular tissues, fats, and flesh as something, so that you are actually to think about the determine and the material as something. The material follows the shape and the gesture. whilst the version adjustments to a brand new pose, the SoIds are made up our minds not just via that pose, yet through the former one in addition and via the circulation the version made while she replaced from the only to the opposite. The material represents the residue of the motion the version takes. it's a, course again to the reason. the next will point out the kind of poses wanted. (1) The version hoIds the Iong facet of the material and pulls it over her shoulders like a cape, letting it fall from the shoulders at any place it's going to. (9)The mode1 holds the fast part of the material round her waist whereas status, sitting, or stepping ahead, a pose that throws the material into a few aid opposed to the determine. (3) The version areas the material throughout her chest and catches it within the again together with her surrender her shoulder. (4) The version turns her again, holds the material at the back of her, and with one hand brings a nook of it over her shoulder to the pit of her neck. Draw for ak hours as directed C Sched& 12 A om3 I$ B, EXERCIBE 30 : THEDAILY COMPOSITION - endured The time comes while you-find that your day-by-day compositions have pretty much exhausted the curiosity in pIaces that exist round you on your quick way of life. then you definitely may well occasionally range the workout by means of determining as a topic a few occasion which occurred to you some time past or during which you performed the a part of a spectator. before everything you will discover it more straightforward to attract issues during which you took an lively half, as the reminiscence of what you probably did will upload to the reminiscence of what you observed.

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